Daisy Edgar-Jones has done it again, this time commanding attention not on a movie screen but on the pages of Perfect Magazine. The British actress was photographed by acclaimed photographer Daniel Jackson, and the results are nothing short of striking. The shoot features a blend of bold silhouettes and clean, powerful imagery that showcases her rare ability to communicate emotion without uttering a single word. It is the kind of editorial work that reminds audiences why she is considered one of the most compelling actresses of her generation.
Jackson’s lens captures Edgar-Jones as both contemporary and timeless, playing with the “English Rose” aesthetic she has long been associated with while pushing it into something more avant-garde. The combination of elegance and quiet intensity in the photos feels like a natural extension of her on-screen persona. She has never been the type to simply show up and smile for a camera, and this cover is clear evidence of that. Each frame carries weight, and that is what separates a great magazine cover from a forgettable one.
This shoot arrives at a moment when Edgar-Jones is experiencing one of the most active stretches of her career. She first earned widespread international recognition through her lead role in the 2024 disaster film ‘Twisters’, which introduced her to a massive global audience. Since then, she has been careful and deliberate about the roles she takes on, showing a commitment to range and depth over sheer volume. That thoughtfulness is becoming a defining characteristic of how she approaches her work.
Daisy Edgar-Jones covers the latest issue of Perfect Magazine.
— Film Crave (@_filmcrave) February 17, 2026
📷 Daniel Jackson pic.twitter.com/QCToBQ2K7g
One of her most recent completed projects is ‘On Swift Horses’, a historical romantic drama in which she not only starred but also served as executive producer. The film features Jacob Elordi and Will Poulter and explores themes of love, identity, and risk against a post-World War II American backdrop. Taking on a producing role signals that Edgar-Jones is serious about shaping stories from the inside out, not just performing within them. It is a bold move for an actress still relatively early in her career.
Her reach has also expanded well beyond acting. In January 2026, Edgar-Jones was named Global Brand Ambassador for Estée Lauder, one of the most prestigious beauty companies in the world. She has also become a fixture in the fashion world, regularly appearing front-row at Gucci shows and establishing herself as a style figure in her own right. Speaking about her relationship with fashion, she said, “I’ve always loved the storytelling aspect of fashion. My red-carpet looks often reflect the characters I play on screen.” It is a perspective that makes her collaboration with luxury brands feel authentic rather than transactional.
Looking ahead, she is set to portray Elinor Dashwood in a new film adaptation of Jane Austen’s ‘Sense and Sensibility’, directed by Georgia Oakley. The movie is scheduled to release in the United States on September 11, 2026, and will also star Esmé Creed-Miles, Caitríona Balfe, and George MacKay. Fans of the Austen classic are eager to see how Edgar-Jones brings her understated intensity to a character known for repressed emotion and quiet resilience. Given her track record, the match feels inspired.
She is also attached to the Netflix thriller ‘Here Comes the Flood’, directed by Jason Bateman and co-starring David Jonsson. Additionally, she is set to appear alongside Michelle Williams and Andrew Scott in ‘A Place in Hell’. Although the Carole King biopic ‘Beautiful’ is reportedly on hold, her schedule remains packed with projects that span genre, tone, and scale. It is a lineup that reflects genuine ambition and an appetite for challenge.
Perfect Magazine is a British independent fashion publication known for its bold visual direction and its focus on featuring cultural figures who sit at the intersection of fashion, art, and entertainment. It has built a reputation for producing editorial shoots that feel more like art projects than traditional celebrity spreads. Being chosen as a cover subject for Perfect is considered a mark of cultural relevance, particularly in European fashion circles. The magazine’s aesthetic sensibility tends to favor subjects who bring something distinctive and intangible to the frame, which makes Edgar-Jones a fitting choice.
Daisy Edgar-Jones first came to widespread attention through the Hulu miniseries ‘Normal People’ in 2020, based on Sally Rooney’s novel of the same name. The role earned her a Golden Globe nomination and introduced her to audiences far beyond the United Kingdom. Born in London in 2000, she studied at the London Academy of Music and Dramatic Art and has spoken openly about how classical training shaped her approach to character work. Her rise since ‘Normal People’ has been swift but deliberate, with each project adding a new dimension to a career that is still very much in its early chapters.
If you have been following Daisy Edgar-Jones’s journey from screen to cover shoots to producing credits, share your thoughts on what project you are most looking forward to in the comments.
