Daisy Edgar-Jones turned heads at London Fashion Week this February when she stepped out for the Burberry Autumn/Winter 2026 show, held at the iconic Old Billingsgate Market. The 27-year-old actress arrived looking every inch the modern Burberry muse, balancing the brand’s storied heritage with a sharper, more rebellious energy. The venue itself set a dramatic tone, transformed into a rain-soaked tribute to British fashion at its most atmospheric. Edgar-Jones fit right in, commanding attention from the moment she arrived.
Her standout piece was a sweeping floor-length black leather trench coat layered over a maxi dress featuring a pattern of interlocking discs drawn from Burberry’s archive. The combination was unexpected and striking, pairing a look rooted in the brand’s past with something that felt very much of the moment. It was the kind of outfit that reads as effortlessly cool rather than overly styled, which is exactly the tightrope Edgar-Jones seems to walk with ease. The all-black palette gave the look a dramatic edge without veering into costume territory.
Earlier that same day, she offered a completely different side of her style sensibility, stepping out in a classic beige Burberry trench coat worn with straight-leg jeans and black ankle boots. The pairing was polished without being precious, the sort of look that makes a trench coat feel less like a wardrobe staple and more like a personal statement. It underscored something that has become increasingly clear about Edgar-Jones as a public figure: she understands how to use fashion to tell a layered story about herself. Whether dressed up or down, she brings an ease to her clothes that many celebrities spend years trying to cultivate.
Her relationship with Burberry appears to be a genuinely good fit, and creative director Daniel Lee seems to have found a natural collaborator in the actress. She has become something of a face for a new chapter at the house, one that blends classic British tailoring with a rawer, more contemporary sensibility. Her presence at the show reinforced the idea that Burberry is working to appeal to a younger, more fashion-forward audience without abandoning what makes the brand recognizable. Edgar-Jones bridges that gap with apparent ease.
Beyond Burberry, she has also taken on the role of global ambassador for Gucci and the fine jewelry house Boucheron, cementing her place as one of the most sought-after names in fashion right now. Her fashion credibility has grown in step with her acting profile, which has exploded over the past couple of years. The disaster film ‘Twisters’ made her a genuine box-office name worldwide, and her performance in the romantic drama ‘On Swift Horses,’ which she also executive produced, earned widespread critical praise. It is a rare combination to find someone building serious momentum on both fronts simultaneously.
The rest of 2026 looks equally packed for Edgar-Jones. She is set to play Elinor Dashwood in a new adaptation of Jane Austen’s ‘Sense and Sensibility,’ slated to arrive in theaters on September 11. The film boasts a cast that includes Esmé Creed-Miles, George MacKay, Caitríona Balfe, and Fiona Shaw. She has also recently wrapped production on the thriller ‘A Place in Hell’ alongside Michelle Williams and Andrew Scott, and reports indicate she is in early conversations to appear in Disney’s live-action ‘Prince Charming’ alongside Chris Hemsworth. It is the kind of slate that suggests her ascent is only accelerating.
Old Billingsgate Market, where the Burberry show was held, was originally built in 1875 and once served as the largest fish market in the world, which makes it a fittingly dramatic setting for a fashion house that thrives on British contradiction. The interlocking disc pattern on the dress Edgar-Jones wore beneath her leather coat is a nod to Thomas Burberry’s original equestrian designs from the late 19th century, patterns that the brand has been quietly reviving under Daniel Lee’s direction. The black leather trench coat as a fashion garment actually has its roots in World War I military wear, the same era that gave Burberry its first wave of cultural cachet.
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